Welcome.

I’m Pink Flowers — a Black trans artist, peacemaker, and cultural worker working at the intersection of ritual, governance, and collective transformation.

My practice draws from African diasporic spiritual traditions, trickster epistemologies, popular theatre, and restorative frameworks including Theater of the Oppressed, Art of Hosting, and Peacemaking. I design spaces where communities confront harm, reclaim agency, and build the muscle for shared power.

This site houses multiple strands of that work.

You’ll find archived essays under Rants & Essays — writing forged in the crucible of COVID, race, gender, governance, and becoming. My YouTube channel holds over 600 recorded reflections, teachings, and provocations.

If you are here for divination and ritual practice, you may schedule directly for Tarot readings and rootwork. That work is contemplative, ancestral, and community-centered — less about prediction, more about restoration.

I currently serve as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, guiding leadership development, conflict repair, and equity initiatives within a 550-member student housing cooperative. In that role, I convened The Joy Project, a summer residency exploring joy at the intersection of queer, trans, Black, and Indigenous identities.

In July 2026, I will present at the Pedagogy and Theatre of the Oppressed ConferenceDemocracy in the Ashes: Voices of Resistance, Songs of Transformation — at Augsburg University in Minneapolis. My work there continues a long engagement with theatre as civic practice and democracy as lived ritual.

Previous presentations include The Stretch Festival in Berlin and the Annual PTO Conference, where I led sessions on Pleasure Activism, embodiment, and collective liberation.

This is a living body of work — part altar, part laboratory, part institution.

Take what you need.

Bio

Pink Flowers is a Black trans cultural worker, peacemaker, and educator working at the intersection of ritual, governance, and collective transformation. Rooted in African diasporic spiritual traditions, popular theatre, and restorative practice, she works at the crossroads of institutional life — bringing a trickster-informed clarity that cuts through abstraction to surface what is materially at stake. Her work helps communities confront harm and build the muscle for shared power.

She currently serves as Director of Education and Training for the Inter-Cooperative Council in Ann Arbor, where she designs leadership development programs, mediation structures, and accountability processes for a 550-member student housing cooperative. Her DART Initiative develops practical conflict engagement tools for peer-governed communities navigating power, race, and institutional strain.

Pink is the founder of the award-winning Falconworks Theater Company, which used participatory performance to cultivate civic agency and democratic imagination. She has facilitated Navajo-informed Peacemaking in the NYC court system, supported worker-owned cooperative development in Brooklyn, and been featured on WNYC’s The Takeaway for community recovery work in Red Hook following Hurricane Sandy.

A graduate of the Yale School of Drama, Pink’s work integrates art, mediation, ancestral inquiry, and systems thinking to examine power, shame, joy, and repair in institutional life. Whether on stage, in ceremony, or inside governance rooms, she designs spaces where accountability and humanity coexist.