The Rachel Dolezal

Rachel Dolezal ain’t got shit on my great grand ma, y’all — for realz!

1901, at the age of 19 (which could explain a lot of it!), my great granma, Fannie Russell, said fuck it to White privilege and married Walter Hendricks—a Black man—in South Carolina. It was illegal AF. South Carolina was the first state to pass an anti-miscegenation law. It was almost a Federal offense, talking about “Intermarriage between whites and blacks is repulsive and averse to every sentiment of pure American spirit. “ That ain’t fly, but most states went ahead and jumped on the band wagon, making mixed marriage illegal.

Grandma Fanny came from a slaveholding family. Her grandma, Lucinda, inherited a “negro girl” named Emily, so, I‘m shook to figure how two generations later, Fanny turned around and married a Black guy. What her family have to say about it? How great-grandpa Walter not get lynched?! What Justice of the Peace would have done the ceremony? Lucky for me, I was able to find the marriage paper, if you call that shit luck.

It looks to be the right couple. Same parents for each of them. The ages listed matched they dates of birth. Then I saw Fannie’s race was on there as “col” (Colored). I was like “Wait a second!” I checked and both Fanny’s folks show up on the census as White. Fannie had lied? She also put down both parents as “deceased.” In 1901 her parents were alive there death and burial records and all.

Is my Granma Fanny a Rachel Dolezal? Then you had people like former NAACP chair Walter White who was White as a sheet, but lived as a Black person. I’m like “Damn!” People been choosing Blackness, against their own comfort and privilege for as long as these bullshit ass categories have existed. Why’s it so important to cling on these categories now? Maybe the lesson that got everybody shook is that race only has the power we give it—we’re comfortable with racial boxes.

I’m starting to see through this fog as I realize more and more I ain’t who I thought I was. I’m sure a few people got they finger on the cancel button. I’m poised and ready. Come for my grandma, though and we gonna fight!

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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