Children are Not the Future…They are Children

Children are the future is the great American cop out, y’all — for realz!

People who follow my work closely already know my take on that weak ass phrase. Children are the future, my eye. Some of y’all are like “What you talking about, Pink? Children really are the fu…” I’mma stop you. That saying is busted on several counts. Pawning on young human beings the fate of civilization is an horrendous frigging practice that is keeping us stuck in the past IMHO (in my humble opinion). Secondly (duh!) if you mean to say, “My children will be alive after I am gone,” then say that. That is still asking a lot, since we’ve created a more and more hostile world for kids to navigate and they certainly don’t have nearly the resources to depend on. It’s more accurate to say, “Damn, I hope my kids get to grow old and have a decent life.”

Starting with the pressure on young people hearing “you the future, bitches!” and the cognitive dissonance they have to experience when they hear it spoken (even though they are usually being spoken of and not spoken to when it is spoken like the bullshit slogan it is) from the elders around them who seem dead set on fucking things up as much as possible in the present. It must also be a challenge knowing the future of the planet is in your hands, while being infantilized and restrained from expressing oneself as sovereign beings. That restraint often coming in the form of violent repression.

I don’t think I’m exaggerating when I make the above claim, but fuck, what do I know. I do think it’s time to drop rhetoric. Stop saying “children are the future.” Real talk: The way things are going they won’t have a future to be (or not to be). Let’s instead try saying, “our children deserve a future.” However, if that one makes your head explode, you could try “Good luck, kiddies! Lol!” That would be more in line with how we’re living (and yes that includes you and me).

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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