Won’t Be Black Today, Thanks

I’m tired of being Black, y’all — for realz!

Lol! A bunch of fools read the lead-in and cancelled my ass. As if they were even on my radar. But, seriously, it’s bad enough I have to speak English and deal with a colonized mind every day of my life, but do I really have to walk around with a label that got stuck on me and people of my general ass phenotype however many centuries ago, by a bunch of people who thought my complexion was offensive?

How is the term Black any different than the term n*99er? Really? They both were meant to degrade people who were not fair skinned. If Europeans had been trying to flatter Africans, they would have called us golden, bronze, earthen, rich, deep, even brown. Black doesn’t describe a single human skin tone on the planet. Langston Hughes wrote about it too, so don’t get mad at me. I dare you to try and cancel Langston! But he pointed out the obvious, that in European culture, black is bad and white is good...period.

Sure, people reclaim, shit and flip it and all that. Whatever. I’m tired of making due with what other people have bothered to toss my way. That’s just a fancy way of saying “Uncle” and acting like you were really just trying to get your mother’s brothers attention. Lies! You cried uncle ‘cause you was licked. You just done forgot you was licked.

Yes, y’all in the game of domestication of Africans in America, Africans, for the most part are not the winners. Get butt-hurt all you want, but if you are walking around doing your best to fit in to the sterile culture White America has modeled for you, your ass has been kicked. That includes White people, many of whom—Irish, Italian, Polish, Jewish, Turkish, Armenian, etcetera —weren’t White when they got to the U.S.

So, no, I’m not feeling the Black thing today. I wanna find a new name for what I am that isn’t something Europe turned its nose up to. I wanna name myself in a way that celebrates the glory that is me. I guess that’s why I’m Notorious Pink! Lol!

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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Cuffing and Banishing

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Zoomed the F*ck Out!