we won’t cancel adrienne maree brown!

Bad news adrienne maree brown, we already canceled us — for realz!

I’mma start saying I’m a big fan of adrienne maree brown. I’ve read and re-read Emergent Strategy and gifted a lot of people with it. Pleasure Activism is my jam. We Will Not Cancel Us left me a little baffled, though. I was down with adrienne’s analysis of the call out and cancel culture. I was like “about time.” Honestly, adrienne has been touching on that phenomenon since Emergent Strategy and warning against its destructive effect on movements.

I didn’t get why adrienne felt the need to back peddle and, frankly, apologize for telling the truth. Mind you, I ain’t read the original post that became the core of the new book (which I read in a single sitting). I take it some people found some of adrienne’s metaphors problematic. Likely people with degrees, and who make their living pointing out the ways other people’s thoughts are problematic. It would take a masters degree to understand the apology couched in We Will Not Cancel Us and, fortunately adrienne is adept enough to bob and weave through the theoretical mumbo jumbo.

I get why cancel culture is the way it is. People who have converted to a certain analysis have to prove and reprove their allegiance by posturing. It’s like pack animals vying for the position of alpha—only instead of the fittest beast getting to be in charge, the one with the most honed rhetorical skills wins. People who lack those skills don’t even get to play. And even though these aren’t battles of physical strength, the loser often suffers a kind of violence.

Like adrienne makes clear, it’s not about speaking truth to power. I’m pretty sure everybody who gets what I mean by call out culture knows I’m not talking about a tactic to restrain oppression. People know I’m talking about the bullshitty catching people saying something that might be found offensive if the person has studied up and gained enough political savvy to recognize. I’m also not talking about troll hunting, where someone is intentionally speaking to offend.

What I’m talking about is what I am damn sure people who are in the conversation most likely get and that is it’s damn near impossible to have a thought that doesn’t trigger someone. The idea that we could live in a world where no one was ever triggered is privileged thinking. I have to get well enough to understand what about this person’s words has me about to snap, or cry, or leave. Often it ain’t even about what that person said, but something that happened to me long before I met that person. I can’t make that person pay for what my father did, or what my boss did, or what that assailant did.

Still, We Will Not Cancel Us was a good read, although I don’t think the people who need it most will even bother. For them, I’m sure adrienne maree brown was canceled long ago.

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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