The House of Venus

Welcome to the house of Venus, y’all — for realz!

I always wanted to be a mother. That ain’t really true. I think I always wanted to be a heroine and that translated into wanting to be an actress. I was “Susie” way before anyone ever explained the word trans to me. I was never unhappy in my body. My body happily accommodated me by giving me curves at an early age. My milkshake brought all the boys to the yard.

I think I’ve always found “houses” to belong to. I played house with plenty of boys. From the time I was seven years old, I knew how to get boys to do what I wanted and they liked to take me in the closet. I was in touch with the goddess, and knew one of my roles in life was to spread a lot of love. For a lot of years I confused spreading love with having sex, but that’s mostly ‘cause we live in a world that tells us if we can’t sell it, it ain’t worth shit. Selling love isn’t too conventional. Sell sex’s itself.

Later, I played Charlie’s Angels with a group of kids who’d been designated male at birth but, like me, were comfortable stepping into female identity. I was the “Kelly.” I think they made me her ‘cause no one saw me as the smart one and no one thought I was pretty. I’ve always been part of a queer posse. It wasn’t until the movie “Paris is Burning” broke out in the 1990’s that I saw the full potential of being part a queer family—a gay gang. I wanted to be part of a house, but assumed I was past my prime.

Now, I own a house and I been thinking about how to put it to the best use. I think I have a lot to offer young queer folks who need a home. I’m not trying to start a charity. These waifs will have to bring something to the table—talent, a skill, desire, magick. The purpose of a house is to take home trophies! The house has to establish itself as formidable. The mother’s role is to whip her children into shape. She molds them into a shining array of jewels and then wears them to the ball.

Ladies and gentlemen and gender-noncomforming: I give you the House of Venus. A space to explore love and beauty in all its incarnations. Don’t come late—come fierce. Who’s ready to be legendary?

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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