My Nana McCarty’s Will

I’mma let one of my ancestors speak for herself, y’all—for realz!

I’ve been on this ancestry kick a couple weeks. It’s a mo’ fuggin’ rollercoaster ride of who’s really who and picking through other people lazy research for “facts.” Dots connecting theyselves, as I dig deeper, get crossed in my fucked up family tree. I’m still cross-checking the Shakespeare thing, while “Princess” Vanderburg turns family Ana-fucking-stasia. Dead ass doh, my way great grands from both mom and pop’s was slave holders—dead ass.

To cut to the meat o’ popular belief about the role of white women during slavery. There’s a trope about women going against evil “Massuh” to show kindness to the “poor slaves.” This is my 4th great grandmother Sarah McCarthy, y’all:

“In the name of god I do give grant or bargain unto my Son W.B. Funderburgh my Negro Boy Ambrus. I do also give grant or bequeath my Negro girl Dafney unto Martha Celona Funderburgh Daughter of my Son W.B. Funderburgh her said Dafney and her increase unto my above wrote Grand Child Martha to her and her heirs of her body for ever. I also give grant or bequeath one feather bed and furniture unto each of my daughters Lucinda Foreman and Charlotte Oden.

I do also give grant or bequeath my Stock of Cattle unto my Son W.B. Funderburgh and the more better to secure the title of my Negro Girl Emily which I have given unto my Daughter Elizabeth McCarty. I do give grant or bequeath the said girl Emily and her increase unto the Said Elizabeth and the heirs of her body for ever in witness whereof I have hereunto affixed my hand and seal...”

Irony here is daughter Lucinda did have a kid, Frances, for to pass her claim on Emily. Frances’ daughter, Fannie, married Black man Walter Hendricks—blessing, curse or what have you. I ain’t blamin' Nana McCarthy. If any o’ y’all do, then go ahead and cancel me too. I see how a lot o’ y’all do. Fuck, I benefit from the society her “sin” helped to make.

Fannie had Bette (my grandma), who had Kitty, who pushed me out into this world. That’s my legacy of slavery. At least a piece of it.

Let me know if this family shit is getting old. If not, I got five hundred years of this shit for your ass.

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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