Digital Brouhaha

I can’t believe people are still talking about the digital divide, y’all — for realz!

Back in the early aughts, organizations that served communities—communities otherwise delegated to the margins—kicked off funding efforts to get their “populations” access to ever advancing and “essential” technology. People feared a generation might go through life lacking proficiency with computers, smartphones, the internet, and all the exigent shit more privileged folks have. I mean, heaven forbid, right?

I’m not a very skeptical person. Many would describe me as a sap—a downright mark. Approached with a personal story (sob or inspirational) or a good cause, I’m a true believer—I’m all in. I’m the person who nearly joined a cult, remember? I may play devil’s advocate, but I’m not naturally inclined to be a cynic just for the sake of cynicism. In my mature years, I’ve come to loathe contempt prior to investigation.

That shifts when large sums of cash are involved. This is the case with multimillion dollar not-for-profit outfits (and I ain’t talking fashion). At extremes, I think the whole thing is a racket to sell poor people to rich people—people whose poverty make all that wealth possible. The wealthy demonstrate their concern (not remorse) by funding programs to aid the less fortunate.

A condition of privileged generosity is that those funders then get to decide what causes are worthy of their money. Not-for-profits then must song and dance for grants to continue serving, while getting to prioritize who gets served. I am aware I’m speaking from the position of a not-for-profit manager who has participated in the charade.

Tech companies are subsidized by taxpayer dollars via money donated to ensure even under-resourced households have flat screens and smartphones. We could instead be aiming for less tech dependence. In “Tools for Conviviality” Ivan Illich makes the argument for maintaining technology standards (including low-tech and no tech) that don’t automatically disenfranchise people who opt not to be so cutting edge. That’s the conversation I wanna see pop off. Might we fund a way to get free from our iPhones, please?

Pink Flowers

Pink Flowers is a Black trans artist, activist and educator, whose work is rooted in ancient shamanic, African trickster, and Brazilian Joker traditions. Pink uses Theater of the Oppressed, Art of Hosting, Navajo Peacemaking and other anti-oppression techniques, as the foundation of their theater-making, mediation, problem-solving and group healing practices.

She is the founder of Award-winning Falconworks Theater Company, which uses popular theater to build capacities for civic engagement and social change. She has received broad recognition, numerous awards, and citations for their community service. She has been a faculty member at Montclair State University, Pace University, and a company member of Shakespeare in Detroit.

Pink is currently in Providence Rhode Island teaching directing for the Brown/Trinity MFA program, while also directing the Brown University production of Aleshea Harris’s award-winning What To Send Up When It Goes Down. Get performance detail here.

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